Madonna directing “W.E.”
Photo: The Weinstein Co.

In addition to her heavily hyped performance at Super Bowl XLVI this weekend, Madonna has been busy writing and directing her second movie, “W.E.,” which follows the real-life love story of American divorcée Wallis Simpson and King Edward VIII during the ’30s, as well as a parallel story of a fictional American woman set in 1998 who became obsessed with Simpson’s story.

The film has received some early awards-season love, including a Golden Globe win for Best Original Song and another Globe nomination for Best Original Score, but judging by its 17 percent fresh rating at Rotten Tomatoes, the magic of the romance seems to have been lost on critics. Read on as we sift through the “W.E.” reviews:

The Parallel Storytelling
“Madonna and co-screenwriter Alek Keshishian try to fuse the threads of two very different tales, set several eras apart, to provide elucidation on the nature of love. But there’s not much illumination to be had. There is, however, plenty of pretentious folderol. Clothes, jewelry and expensive trinkets are fraught with superficial symbolism. The more intriguing of the two stories centers on the 1930s romance and marriage of chic American divorcée Wallis Simpson and Great Britain’s King Edward VIII, who abdicated the throne to marry her. (The title stands for Wallis and Edward.) … Jumping forward to 1998, the second story is about Wally Winthrop (Abbie Cornish) and her fascination with Simpson. Married to a self-absorbed and abusive psychiatrist, Wally roams New York City in a state of gloomy reverie. She forges an unlikely bond with Evgeni (Oscar Isaac), a guard at Sotheby’s, where she goes often to look at the royal paraphernalia about to be auctioned. The disparate strands of the two stories never make much sense the way they’re braided together. Presumably, the more Wally learns about the sacrifices Wallis made, the more she is emboldened to follow her heart and leave her own unhappy marriage. Yet what she uncovers about the Duke and Duchess is not always pretty.” — Claudia Puig, USA Today

Madonna as Writer/Director
“The upshot is that instead of a film about a love that conquered a king and nearly undid a kingdom, Madonna has come up with a female friendship movie, which would be fine if she weren’t busy trying to prove her art-film bona fides. At her entertainer best, Madonna distilled ideas and emotions into solid pop gold, transmitting a worldview through songs, music videos and her shape-shifter persona. The movies, by contrast, have largely defeated her both as an actress and as a director. As a mystical female friendship movie, ‘W.E.’ has its pull, but it never coheres, shredded by its editing and its pretensions, like Mrs. Simpson dancing to the Sex Pistols with a woman in African tribal regalia because, I’m guessing, Madonna likes the way Sofia Coppola used New Order’s music in ‘Marie Antoinette.’ ” — Manohla Dargis, The New York Times

The Chick-Flick Factor
” ‘W.E.’ (which interlocks with ‘The King’s Speech’ — Bertie pops up in a couple of scenes here just as David appeared in that one) is very much a woman’s picture. The men, except the Sotheby’s security guard, mainly serve as obstacles or targets. That viewpoint is daring and kind of refreshing; a recent study noted that some two-thirds of the dialogue in Hollywood movies is spoken by men (in my experience, that is a reversal of reality). In the Wallis portions, Madonna presents a frank, unashamed defense of gold-digging, though she does unconvincing penance for this in the Wally story, in which the bride proves lonely and bored in her Upper East Side castle. After more than 40 years of feminism, the gold-digging subtext remains as central to female fantasy as it is in Jane Austen novels, and it’s implicit in most of those rom-coms in which, just by sheer coincidence, true love happens with the owner of a chain of bookstores, or the millionaire a gal meets while working the streets. If the woman virtuously chooses love over money, she gets the lucre anyway.” — Kyle Smith, The New York Post

The Final Word, Pro-Con Style
“If anyone, Madonna certainly understands the crazy pull of celebrity obsession, and it’s an intriguingly romantic premise she presents, interweaving Wally’s story with the Duchess’, often triggered by the modern woman’s handling of certain artifacts belonging to the late, almost-Queen of England, who even begins to appear to her in hallucinations, to offer world-weary advice and/or disapproval. The director tells the Duchess’ story with surprising verve, historical accuracy and style, a huge improvement over the nastily cartoonish way the couple was represented in the overrated ‘The King’s Speech’ last year. There are a few clichéd missteps, as when Edward’s mother, Queen Mary (Judy Parfitt), clucks, ‘This is a pretty kettle of fish!’ over her son’s scandal, but, for the most part, the historical sequences have a thrilling élan, aided by the crack photography, art direction and especially Arianne Phillips’ superbly accurate costume design for this most chic of fashion eras. Taking a cue, perhaps, from Sofia Coppola’s ‘Marie Antoinette,’ Madonna has also effectively interpolated modern pop-rock music along with the usual Deco cocktail standards of the era.” — David Noh, FilmJournal.com

“You can’t call ‘W.E.’ a total disaster; it’s too pretty, too nonsensical and finally too insignificant for that. Rather, it’s a heavily decorated and overly complicated exercise in female narcissism, which in its plotless meandering fashion seeks to draw a mystical connection between an unhappy Manhattan wife and Wallis Simpson (Andrea Riseborough), the Baltimore socialite who married King Edward VIII. Riseborough gives a richly enjoyable performance as the prickly, strange and not especially beautiful American who pulled a king and emperor from his throne, and some of the 1930s scenes are pretty fun, after the fashion of outtakes from ‘The King’s Speech’ turned into music videos or haute couture shoots. Madonna and co-writer Alek Keshishian (who directed ‘Truth or Dare’ way back in 1991) go right at the historical reputation of Wallis and Edward as Nazi sympathizers, and to the extent that ‘W.E.’ is an attempt to rehabilitate them at least it has a clear agenda.” — Andrew O’Hehir, Salon.com

Check out everything we’ve got on “W.E.”

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Jennifer Lawrence in “The Hunger Games”
Photo: Lionsgate

Anytime we see anything new from “The Hunger Games,” it’s like Christmas came early around here. On Thursday (February 2), we were gifted with a brand-new teaser trailer for the film, which is set to air on Super Bowl Sunday.

The one-minute spot features some familiar elements shown in the first full-length trailer, but there are also several juicy new items to look out for.

Here are the five key scenes in the new “Hunger Games” teaser:

Silver-Tongued Caesar Flickerman
Finally, we’re starting to get sneak peeks at more key “Hunger Games” players. In this case, we get a good long look at (and listen to) Stanley Tucci as sweet-talking official “Games” interviewer Caesar Flickerman. Think of an over-caffeinated, duplicitous Matt Lauer, if you will. Flickerman’s job is to get the tributes to open up to him and “perform” for the Capitol audience. There is a perfect example in the teaser, as Tucci-as-Flickerman asks Katniss a loaded, personal question: “What did you say to your sister when you volunteered at the reaping?”

“I told her I would try to win for her,” Katniss answers sincerely.

“And try you will,” Flickerman adds with dramatic intonation in his voice, before bending down and kissing Katniss’ hand.

Katniss Gives Prim The Mockingjay Pin
For the book lovers out there, yes, this scene is different from how Suzanne Collins wrote it in the book, but it makes sense in the emotional context of the film. We see Katniss give her little sister a mockingjay pin and say, “As long as you have it, nothing bad will happen to you, I promise.” This is significant because the mockingjay is seen as a rebellious symbol to the Capitol. It should also be familiar to fans who’ve read the books, as the symbol graces the cover of “The Hunger Games.”

Cinna’s Secret Gift
This one relates to the opening scene of the teaser. Just before Katniss is sent up to the arena for the start of the Games, her intuitive stylist Cinna (Lenny Kravitz) pulls out the mockingjay pin that she gave her sister back in District 12 and pins it underneath Katniss’ jacket. It’s a powerful moment, in that it shows how in tune Cinna is with his tribute and that he believes in her strength, along with the fact that Prim somehow sent it along, because Katniss promised her that “nothing bad will happen” to her if she wears it.

Katniss in Her Yellow Dress
Again, this one is for our fellow readers of the book, but holy cow, they show Katniss in her yellow dress! It’s a very brief moment, but a loaded one. Without going into spoilers, because there are more than a few surrounding this particular look, the yellow dress Katniss wears is her most innocent-looking. Cinna designed it to showcase the softer side of the “girl on fire,” and the color was to be more like candlelight than flames.

More President Snow And Effie Trinket
We’ll take as many teases of the supporting players as possible, like the brief glimpse we get of Donald Sutherland’s likely first scene in the movie as President Snow. “Welcome! And Happy Hunger Games!” he says via a big-screen monitor transmitting the opening of the games from the Capitol. His voice has the perfect amount of gravitas and disturbing excitement for the upcoming bloodbath. And the puffiness of his white hair only adds to his menacing-but-stately look. Plus, we get a little more from uppity type-A escort Effie Trinkett, who eats up anything and everything official from the Capitol. “I just love that!” she says breathily after President Snow kicks off the reapings.

Head to NextMovie for a chance to win a “Hunger Games” prize pack, including two tickets to the premiere!

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John Krasinksi and Drew Barrymore in “Big Miracle”
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If you’re looking for a feel-good film to see this weekend, look no further than “Big Miracle,” the story of the real-life rescue of three gray whales trapped in ice near Point Barrow, Alaska, in 1988. Incredibly, the effort became an international issue that involved a rare collaboration between the United States and the Soviet Union and garnered worldwide media attention.

MTV News recently caught up with the three stars of the film, Drew Barrymore, John Krasinski and Kristen Bell, who explained the multi-generational appeal and importance of the story and the cause presented in the film.

“The whales have Twitter accounts,” Krasinski joked when asked how the film might specifically appeal to MTV viewers. “So, streamlined information, done deal. Don’t ask us, ask them. They’ll talk all about it,” he said with a smile. “It’s a big movie that deals with participation, and with the election coming up and all these different things, and everybody is divided over this, that and the other, and everybody is angry about something. It’s one of those moments where you get to say, ‘I could just step in and lend my voice to something.’ And it really helps, it makes you feel important and special that you’re doing something. This movie sort of focuses on that completely, about how when you get a bunch of people together you can kind of do anything.”

Barrymore added that the film’s setting in the late ’80s provides for a unique look back at our media and political cultures at the time.

“It’s an interesting look back at how if things were a little different maybe we wouldn’t exactly be where we are. But, it’s not in a patronizing way, it’s in a really interesting way,” she said. “And it’s amazing historically, like, you know, environmentally and politically. But, I think it’s very true to what’s going on now, that if people work together, whether it’s protesting via Twitter for an important movement to change their country or to do something wonderful and important like saving whales. It’s working together, so I think actually in 1987 when this takes place and what’s going on right now today, they definitely have a connection.”

Kristen Bell also focused on the warm, fuzzy aspects of the film, particularly how its positive message compares to the continually multiplying “train wreck” elements involved in other films and TV.

“I think it’s a very positive story as opposed to many of the unendingly interesting train wrecks that are put on television or in films these days, which believe me, I’m not poo-pooing, but there’s something very inspiring about a story where a bunch of different people come together for a common goal and actually accomplish it,” Bell explained. “It’s very, very inspiring, I think. And often times, news headlines or things that are written about in blogs, you know, reality television, it’s not as inspiring as you want it to be, at least not for me. And it actually happened. It’s historical, so you’ll get smarter watching it. You’ll also be inspired, so you’ll be happier. What’s the downfall? See the movie!”

Are you planning on seeing “Big Miracle”? Leave your comment below.

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Chris Evans in “The Avengers” Super Bowl spot
Photo: Marvel

Captain America is from Brooklyn, New York, so he’s probably a Giants fan, right?

Well, if the new trailer for “The Avengers” is any indication, Cap will have bigger things to think about than the Super Bowl this summer. The game was a big deal and all, but comic book movie fans also assembled in front of televisions and computers on Sunday (February 5) to watch a different group of uniformed supermen (and women) go to battle in ways we’ve never seen before.

Marvel Studios debuted the second full-length trailer for the summer’s “Avengers,” and boy, did it deliver, true believers! An extended version appeared on the flick’s official Facebook page moments after the commercial aired during the game.

Aliens, aliens, aliens! (Are those Skrulls? Kree? Asgardian something-or-others?) A Hulk-tastic climax, a bunch of alien craft getting smashed and the most action fans have seen yet from the Avengers: Captain America (Chris Evans), Iron Man (Robert Downey, Jr.), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner), Hulk (Mark Ruffalo) and the man who brought them together in post-credits sequences across several movies, Nick Fury (Samuel L. Jackson).

The trailer opens with the familiar images of carnage on the city streets: cars overturned, explosions. The voice of Jackson as Fury says, “The world has changed.” Evans, as Captain America, looks unimpressed as he untangles his hand wraps in what looks like a midcentury-style boxing gym. “At this point, I doubt anything would surprise me,” he comments.

“We are hopelessly outgunned,” Fury says, as the Marvel logo unspools and quinjets land on an aircraft carrier. As he finishes that sentence, we see that he’s standing with Thor (and presumably the rest of the team). There are more explosions brought on by an alien craft, followed by Tony Stark (Iron Man) rising with a look of steadfast determination.

A close-up of Mjolnir flying into Thor’s hand, followed by thunder and lightning. Iron Man’s feet as they land on a rooftop. “Mr. Stark,” Evans says. Downey answers: “Captain.” “It’s time,” Jackson says. A close-up of Captain America’s iconic shield. Iron Man in action.

As the montage continues, Thor helps Cap up off the street. Black Widow swings, then kicks, then peers over her shoulder while a car crashes between the shots. Thor lands on top of a quinjet! A large group of bad guys leap toward the city! Cap protects himself and his team from an explosion with his shield, Hawkeye shoots an arrow as he falls toward the street. Cap runs from a laser beam, Iron Man flies directly toward a small armada of alien craft. “I still believe in heroes,” Fury says.

The camera then pans around all of the Avengers assembled around one another in the street. Hawkeye draws back his bow, Widow taps a clip into her pistol and Cap raises his shield. “The Avengers: That’s what we call ourselves,” Stark says casually, making a drink behind a bar as the film’s primary villain approaches him ominously. ” ‘Earth’s Mightiest Heroes’-type thing.”

“I have an Army!” declares Loki (Tom Hiddleston), Thor’s half-brother from Asgard.

“We have a Hulk,” Stark answers, shortly before the extended trailer’s money shot: the Hulk roaring, smashing through glass and leaping high into the air, destroying several alien craft at once. He didn’t yell “Hulk smash!” — but he might as well have.

“Buffy the Vampire Slayer” writer/director Joss Whedon’s flick will unite Marvel’s Mightiest Heroes onscreen May 4.

Check out everything we’ve got on “The Avengers.”

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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